![]() The album’s eponymous opening track plots the emotional topography of high hopes and sinking disappointment. With New Year’s Eve, the duo melds electrifying disco grooves with their tried-and-true experimental rock atmospherics. With an arsenal of pedals, labyrinthine arrangements, and a deft use of looping, Kristian Dunn (bass) and Tim Fogarty (drums) create two-man symphonies. Over the course of 20 years and 11 albums, El Ten Eleven has continued to redefine the potential of bass guitar and drums. You think it’s gonna be a fun night, but usually it’s disappointing at the end.” But of course that’s not how it turned out,” bassist Kristian Dunn said of the album’s inspiration. At the time, it seemed like our national divisiveness might be waning and the end of the pandemic was near. “ New Year’s Eve is a reference to guarded optimism about what will be happening next year. After a year that changed nearly-everything most-likely-forever, the instrumental duo felt compelled to soundtrack the emotional heave-ho of New Year’s Eve with an album of the same name. The spiritual hangover that lingers every January 1 inspired the new works from El Ten Eleven. It’s just another New Year’s Eve.įew days hold as much promise-and subsequent disappointment-as New Year’s Eve. But nothing is transformed or transposed, because miracles don’t happen during the hung time between this year and the next. A ball drops, and we expect a whole new life to spring out. Resolutions are boldly proclaimed or whispered in one’s own heart. Struggles are sloshed away by tidal waves of champagne. ![]()
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